{"id":14099,"date":"2017-08-22T12:42:35","date_gmt":"2017-08-22T10:42:35","guid":{"rendered":"http:\/\/www.satiricon.be\/?p=14099"},"modified":"2017-08-22T12:42:35","modified_gmt":"2017-08-22T10:42:35","slug":"le-desir-de-lamour-engendre-lamour-tahar-ben-jelloun","status":"publish","type":"post","link":"https:\/\/www.satiricon.be\/?p=14099","title":{"rendered":"\u00ab Le d\u00e9sir de l&rsquo;amour engendre l&rsquo;amour. \u00bb  (Tahar Ben Jelloun)"},"content":{"rendered":"<p><a href=\"https:\/\/www.satiricon.be\/?attachment_id=14100\" rel=\"attachment wp-att-14100\"><img loading=\"lazy\" class=\"aligncenter size-full wp-image-14100\" src=\"https:\/\/www.satiricon.be\/wp-content\/uploads\/2017\/08\/Dire-lamour-en-po\u00e9sie-.jpg\" alt=\"Dire l'amour en po\u00e9sie\" width=\"243\" height=\"350\" srcset=\"https:\/\/www.satiricon.be\/wp-content\/uploads\/2017\/08\/Dire-lamour-en-po\u00e9sie-.jpg 243w, https:\/\/www.satiricon.be\/wp-content\/uploads\/2017\/08\/Dire-lamour-en-po\u00e9sie--208x300.jpg 208w\" sizes=\"(max-width: 243px) 100vw, 243px\" \/><\/a><\/p>\n<p>Conforme aux nouveaux programmes d\u2019enseignement du fran\u00e7ais au coll\u00e8ge et r\u00e9dig\u00e9e par Lucie Lelong, l\u2019anthologie intitul\u00e9e <strong><em>Dire l&rsquo;amour en po\u00e9sie <\/em><\/strong>publi\u00e9e \u00e0 Paris aux \u00c9ditions Gallimard dans la collection \u00ab\u00a0Folio + Coll\u00e8ge\u00a0\u00bb propose, dans sa premi\u00e8re moiti\u00e9, 49 textes d\u2019auteurs vari\u00e9s (cf. infra) articul\u00e9s autour de 8 th\u00e9matiques\u00a0:<\/p>\n<ol>\n<li>Expliquer l\u2019amour<\/li>\n<li>R\u00eaver \u00e0 l\u2019amour<\/li>\n<li>D\u00e9clarer sa flamme<\/li>\n<li>Dire l\u2019\u00e9treinte<\/li>\n<li>Clamer sa passion<\/li>\n<li>La plainte amoureuse<\/li>\n<li>Taire l\u2019amour\u00a0?<\/li>\n<li>Dire l\u2019amour et m\u00e9dire<\/li>\n<\/ol>\n<p>La seconde moiti\u00e9, purement p\u00e9dagogique, se divise en 4 parties\u00a0:<\/p>\n<p>\u2013 Je d\u00e9couvre<\/p>\n<p>(Situation de l&rsquo;\u00e9criture po\u00e9tique\u00a0; Orph\u00e9e racont\u00e9 par Eurydice\u00a0; Retour dans le pass\u00e9\u00a0: le lecteur de po\u00e9sie \u00e0 travers les \u00e2ges\u00a0; Ce qu&rsquo;il s&rsquo;est pass\u00e9 dans l&rsquo;histoire de la po\u00e9sie\u00a0; Les origines et la post\u00e9rit\u00e9 du po\u00e8me \u00ab\u00a0Le lac\u00a0\u00bb\u00a0; Les mots ont une histoire\u00a0; Les noms propres sont porteurs de sens\u00a0; Derni\u00e8res observations avant l&rsquo;analyse)<\/p>\n<p>\u2013 J\u2019analyse<\/p>\n<p>(Au c\u0153ur de la phrase\u00a0; La construction de l&rsquo;anthologie\u00a0; Caract\u00e9risation des personnages\u00a0; Les intentions des auteurs\u00a0: pourquoi \u00e9crire des po\u00e8mes d&rsquo;amour\u00a0?\u00a0; Quelle vision de la femme dans les po\u00e8mes amoureux\u00a0?\u00a0; R\u00e9sumons\u00a0!\u00a0; Exercices\u00a0; Jeu de lettres\u00a0; Le 20 sur 20)<\/p>\n<p>\u2013 Nous avons la parole<\/p>\n<p>(\u00c0 nous de jouer\u00a0; Organisons le d\u00e9bat)<\/p>\n<p>\u2013 Prolongements<\/p>\n<p>(Groupement de textes, \u00ab\u00a0De Narcisse au narcissisme\u00a0: amoureux de soi-m\u00eame\u00a0\u00bb\u00a0; Histoire des arts)<\/p>\n<p>Un bien bel outil\u00a0!<\/p>\n<p><strong>P\u00c9TRONE<\/strong><\/p>\n<p><strong><em>Dire l&rsquo;amour en po\u00e9sie <\/em><\/strong>par Lucie Lelong, Paris, \u00c9ditions Gallimard, collection \u00ab\u00a0Folio + Coll\u00e8ge\u00a0\u00bb, mai\u00a02017, 195\u00a0pp. en noir et blanc+ 2\u00a0pp. en quadrichromie au format 12,5\u00a0x\u00a017,8\u00a0cm sous couverture broch\u00e9e en couleurs, 3,90\u00a0\u20ac (prix France)<\/p>\n<p style=\"text-align: center\"><strong>TABLE DES MATI\u00c8RES<\/strong><\/p>\n<ol>\n<li style=\"text-align: center\">EXPLIQUER L\u2019AMOUR<\/li>\n<\/ol>\n<p>Jean-Baptiste de Gr\u00e9court, <em>Qu&rsquo;est-ce que l&rsquo;amour\u00a0?<\/em><\/p>\n<p>Jean de La Fontaine, <em>L&rsquo;Amour et la Folie<\/em><\/p>\n<p>Pierre de Ronsard, <em>Madrigal <\/em><\/p>\n<p>Anonyme, <em>Tourments sans passions&#8230;<\/em><\/p>\n<p>Pierre de Marbeuf, <em>Et la mer et l&rsquo;amour<\/em><\/p>\n<p>Jacques Pr\u00e9vert, <em>Cet amour<\/em><\/p>\n<ol start=\"2\">\n<li style=\"text-align: center\">R\u00caVER \u00c0 L\u2019AMOUR<\/li>\n<\/ol>\n<p>Arthur Rimbaud, <em>Sensation<\/em><\/p>\n<p>Paul Verlaine, <em>Mon r\u00eave familier<\/em><\/p>\n<p>Louise Gillot de Saintonge, <em>Je croyais, en dormant&#8230;<\/em><\/p>\n<p>Aloysius Bertrand, <em>Madame de Montbazon<\/em><\/p>\n<p>Robert Desnos, <em>J&rsquo;ai tant r\u00eav\u00e9 de toi<\/em><\/p>\n<p>Charles Cros, <em>Distrayeuse<\/em><\/p>\n<p style=\"text-align: center\">D\u00c9CLARER SA FLAMME<\/p>\n<p>Charles Baudelaire, <em>Chanson d&rsquo;apr\u00e8s-midi<\/em><\/p>\n<p>Paul Verlaine, <em>Green<\/em><\/p>\n<p>Jean Tardieu, <em>\u00c9tude de pronoms<\/em><\/p>\n<p>Paul Eluard, <em>je t&rsquo;aime<\/em><\/p>\n<ol start=\"4\">\n<li style=\"text-align: center\">DIRE L\u2019\u00c9TREINTE<\/li>\n<\/ol>\n<p>Charles Baudelaire, <em>Un h\u00e9misph\u00e8re dans une chevelure<\/em><\/p>\n<p>Pierre Alferi, <em>Pr\u00e9servatif<\/em><\/p>\n<p>Jacques Pr\u00e9vert, <em>Alicante<\/em><\/p>\n<p>Marc Papillon de Lasphrise, <em>Ha Dieu\u00a0! Que j&rsquo;ai de bien&#8230;<\/em><\/p>\n<p>Robert Desnos, <em>Coucher avec elle<\/em><\/p>\n<p>\u00c9variste de Parny, <em>Le lendemain<\/em><\/p>\n<ol start=\"5\">\n<li style=\"text-align: center\">CLAMER SA PASSION<\/li>\n<\/ol>\n<p>LES TOURMENTS DE LA PASSION<\/p>\n<p>Louise Lab\u00e9, <em>Je vis, je meurs\u2026<\/em><\/p>\n<p>Marc Papillon de Lasphrise, <em>Je l&rsquo;\u0153illadais, mi-nue&#8230;<\/em><\/p>\n<p>Marquise d&rsquo;Antremont, <em>\u00d4 Mort\u00a0! an\u00e9antis mon \u00eatre&#8230;<\/em><\/p>\n<p>L&rsquo;AIM\u00c9E ADOR\u00c9E<\/p>\n<p>Louis Aragon, <em>Que serais-je sans toi&#8230;<\/em><\/p>\n<p>Philippe Soupault, <em>Georgia<\/em><\/p>\n<ol start=\"6\">\n<li style=\"text-align: center\">LA PLAINTE AMOUREUSE<\/li>\n<\/ol>\n<p>AMOUR IMPOSSIBLE<\/p>\n<p>Jules Laforgue, <em>Complainte-litanies de mon sacr\u00e9-c\u0153ur<\/em><\/p>\n<p>Louis Aragon, <em>Il n&rsquo;y a pas d&rsquo;amour heureux<\/em><\/p>\n<p>C\u0152URS BRIS\u00c9S<\/p>\n<p>Alfred de Musset, <em>\u00c0 Mademoiselle ***<\/em><\/p>\n<p>Paul Verlaine, <em>\u00d4 triste, triste \u00e9tait mon \u00e2me&#8230;<\/em><\/p>\n<p>Christine de Pisan, <em>Seulette suis et seulette veux \u00eatre&#8230;<\/em><\/p>\n<p>L\u00e9on Gontran Damas, <em>Quand malgr\u00e9 moi&#8230;<\/em><\/p>\n<p>LA MORT DE L&rsquo;\u00caTRE CHER<\/p>\n<p>Alphonse de Lamartine, <em>Le lac<\/em><\/p>\n<p>Tristan l&rsquo;Hermite, <em>Sur un tombeau<\/em><\/p>\n<p>Claude Esteban, <em>\u00c9l\u00e9gie de la mort violente<\/em> (extrait)<\/p>\n<ol start=\"7\">\n<li style=\"text-align: center\">TAIRE L\u2019AMOUR\u00a0?<\/li>\n<\/ol>\n<p>Marceline Desbordes-Valmore, <em>Les s\u00e9par\u00e9s<\/em><\/p>\n<p>Gabriel-Charles de Lattaignant, <em>Les \u00e9poux indiscrets<\/em><\/p>\n<ol start=\"8\">\n<li style=\"text-align: center\">DIRE L\u2019AMOUR ET M\u00c9DIRE<\/li>\n<\/ol>\n<p>LE TEMPS OU LA REVANCHE DE L&rsquo;\u00c9CONDUIT<\/p>\n<p>Pierre de Ronsard, <em>Quand vous serez bien vieille\u2026<\/em><\/p>\n<p>Th\u00e9ophile de Viau, <em>Ton orgueil peut durer&#8230;<\/em><\/p>\n<p>Raymond Queneau, <em>Si tu t&rsquo;imagines\u2026<\/em><\/p>\n<p>D\u00c9FIGURER\u00a0: LA PO\u00c9SIE COMME MIROIR D\u00c9FORMANT DE LA CRUELLE<\/p>\n<p>\u00c9tienne Jodelle, <em>Comment pourrais-je aimer&#8230;<\/em><\/p>\n<p>Cl\u00e9ment Marot, <em>Le beau t\u00e9tin<\/em><\/p>\n<p>Cl\u00e9ment Marot, <em>Le laid t\u00e9tin<\/em><\/p>\n<p>SE SOUVENIR DE L&rsquo;AMOUR<\/p>\n<p>Alfred de Musset, <em>Rappelle-toi<\/em><\/p>\n<p>Guillaume Apollinaire, <em>Le pont Mirabeau<\/em><\/p>\n<p>Philippe Desportes, <em>Est-il vrai qu&rsquo;autrefois\u2026<\/em><\/p>\n<p>Paul Verlaine, <em>Streets<\/em><\/p>\n<p>Marceline Desbordes-Valmore, <em>L&rsquo;amour<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Par P\u00e9trone.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[11,56],"tags":[],"_links":{"self":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/14099"}],"collection":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14099"}],"version-history":[{"count":1,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/14099\/revisions"}],"predecessor-version":[{"id":14101,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/14099\/revisions\/14101"}],"wp:attachment":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14099"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}