{"id":18214,"date":"2020-01-03T17:10:54","date_gmt":"2020-01-03T15:10:54","guid":{"rendered":"http:\/\/www.satiricon.be\/?p=18214"},"modified":"2020-01-03T17:10:54","modified_gmt":"2020-01-03T15:10:54","slug":"la-reference-parfaite-en-histoire-de-lart","status":"publish","type":"post","link":"https:\/\/www.satiricon.be\/?p=18214","title":{"rendered":"La r\u00e9f\u00e9rence parfaite en histoire de l&rsquo;art"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" width=\"294\" height=\"350\" src=\"https:\/\/www.satiricon.be\/wp-content\/uploads\/2020\/01\/Art-\u2013-Histoire-de-lart-en-images.jpg\" alt=\"\" class=\"wp-image-18215\" srcset=\"https:\/\/www.satiricon.be\/wp-content\/uploads\/2020\/01\/Art-\u2013-Histoire-de-lart-en-images.jpg 294w, https:\/\/www.satiricon.be\/wp-content\/uploads\/2020\/01\/Art-\u2013-Histoire-de-lart-en-images-252x300.jpg 252w\" sizes=\"(max-width: 294px) 100vw, 294px\" \/><\/figure><\/div>\n\n\n\n<p>Avec ses 2500 illustrations choisies parmi les plus extraordinaires chefs-d&rsquo;\u0153uvre\nde tous les temps, la nouvelle version \u2013 la pr\u00e9c\u00e9dente date de 2017 \u2013 mise \u00e0\njour du somptueux album intitul\u00e9 <strong><em>Art \u2013 Histoire de l&rsquo;art en images <\/em><\/strong>r\u00e9dig\u00e9 par une\n\u00e9quipe de 25 sp\u00e9cialistes anglo-saxons sous la direction du professeur Andrew\nGraham-Dixon<a href=\"#_ftn1\">[1]<\/a> (Paris, \u00c9ditions Flammarion) propose de faire\n\u00e0 prix d\u00e9mocratique un prodigieux voyage \u00e0 travers l&rsquo;art de tous les continents,\nde la pr\u00e9histoire \u00e0 nos jours, au moyen d\u2019images puis\u00e9es dans des collections\ndu monde entier. <\/p>\n\n\n\n<p>S\u2019ouvrant sur des consid\u00e9rations particuli\u00e8rement pertinentes concernant\nla mani\u00e8re de regarder un \u0153uvre artistique, l\u2019ouvrage guide le lecteur depuis\nles m\u00e9andres de l\u2019art pari\u00e9tal jusqu\u2019\u00e0 l\u2019art contemporain en Am\u00e9rique du Nord\nen passant par toutes les \u00e9tapes de l\u2019histoire de l\u2019humanit\u00e9.<\/p>\n\n\n\n<p>F\u00e9erique&nbsp;!<\/p>\n\n\n\n<p><strong>P\u00c9TRONE<\/strong><\/p>\n\n\n\n<p><strong><em>Art \u2013 Histoire de l&rsquo;art en images <\/em><\/strong>sous la direction d\u2019Andrew Graham-Dixon, Paris, \u00c9ditions\nFlammarion, octobre&nbsp;2019, 612&nbsp;pp. en quadrichromie au format 26&nbsp;x&nbsp;31&nbsp;cm\nsous couverture cartonn\u00e9e en couleurs, 39,90&nbsp;\u20ac (Prix France) <\/p>\n\n\n\n<p><strong>SOMMAIRE<\/strong><\/p>\n\n\n\n<p><strong>Regarder l\u2019art<\/strong><\/p>\n\n\n\n<p>Sujet et composition<\/p>\n\n\n\n<p>Perspective et point de vue<\/p>\n\n\n\n<p>Ombre et lumi\u00e8re<\/p>\n\n\n\n<p>Technique et mati\u00e8re<\/p>\n\n\n\n<p>Couleur<\/p>\n\n\n\n<p>Texture<\/p>\n\n\n\n<p><strong>De la pr\u00e9histoire \u00e0 1400\napr\u00e8s J.-C.<\/strong><\/p>\n\n\n\n<p>L\u2019art de la pr\u00e9histoire<\/p>\n\n\n\n<p>Le Proche-Orient ancien<\/p>\n\n\n\n<p>L\u2019\u00c9gypte ancienne<\/p>\n\n\n\n<p>Les civilisations orientales<\/p>\n\n\n\n<p>La Gr\u00e8ce antique<\/p>\n\n\n\n<p><strong>Th\u00e8mes&nbsp;: Le nu<\/strong><\/p>\n\n\n\n<p>Les \u00c9trusques et la Rome antique<\/p>\n\n\n\n<p>Aux fronti\u00e8res des empires<\/p>\n\n\n\n<p>L\u2019art primitif chr\u00e9tien et l\u2019art byzantin<\/p>\n\n\n\n<p>L\u2019art carolingien<\/p>\n\n\n\n<p>L\u2019art ottonien<\/p>\n\n\n\n<p>L\u2019art viking<\/p>\n\n\n\n<p>L\u2019art anglo-saxon et l\u2019art celtique<\/p>\n\n\n\n<p>L\u2019art primitif islamique<\/p>\n\n\n\n<p>L\u2019Asie du Sud<\/p>\n\n\n\n<p>L\u2019Asie du Sud-Est<\/p>\n\n\n\n<p>La Chine<\/p>\n\n\n\n<p>L\u2019Am\u00e9rique centrale et l\u2019Am\u00e9rique du Sud<\/p>\n\n\n\n<p>L\u2019art roman et l\u2019art gothique<\/p>\n\n\n\n<p>L\u2019art primitif italien<\/p>\n\n\n\n<p>L\u2019art gothique international<\/p>\n\n\n\n<p><strong>Le XV<sup>e<\/sup> et le\nXVI<sup>e<\/sup> si\u00e8cles<\/strong><\/p>\n\n\n\n<p>La Renaissance italienne<\/p>\n\n\n\n<p><strong>Th\u00e8mes&nbsp;: Mythes et l\u00e9gendes<\/strong><\/p>\n\n\n\n<p>La Renaissance en Europe du Nord<\/p>\n\n\n\n<p><strong>Th\u00e8mes&nbsp;: Le paysage<\/strong><\/p>\n\n\n\n<p>Le mani\u00e9risme<\/p>\n\n\n\n<p>La Chine&nbsp;: la dynastie Ming<\/p>\n\n\n\n<p>L\u2019art japonais<\/p>\n\n\n\n<p>L\u2019Am\u00e9rique centrale et l\u2019Am\u00e9rique du Sud <\/p>\n\n\n\n<p><strong>Le XVII<sup>e<\/sup> et le\nXVIII<sup>e<\/sup> si\u00e8cles<\/strong><\/p>\n\n\n\n<p>L\u2019art baroque<\/p>\n\n\n\n<p><strong>Th\u00e8mes&nbsp;: La nature morte<\/strong><\/p>\n\n\n\n<p>Le rococo<\/p>\n\n\n\n<p><strong>Th\u00e8mes&nbsp;: Les animaux<\/strong><\/p>\n\n\n\n<p>Le n\u00e9oclassicisme<\/p>\n\n\n\n<p>Les aquarellistes anglais<\/p>\n\n\n\n<p>L\u2019Am\u00e9rique coloniale<\/p>\n\n\n\n<p>La Chine&nbsp;: La dynastie Qing<\/p>\n\n\n\n<p>L\u2019art japonais<\/p>\n\n\n\n<p>L\u2019art islamique<\/p>\n\n\n\n<p>L\u2019art hindou<\/p>\n\n\n\n<p><strong>Le XIX<sup>e<\/sup> si\u00e8cle<\/strong><\/p>\n\n\n\n<p>Le romantisme<\/p>\n\n\n\n<p><strong>Th\u00e8mes&nbsp;: L\u2019amour<\/strong><\/p>\n\n\n\n<p>Le r\u00e9alisme<\/p>\n\n\n\n<p>Les pr\u00e9rapha\u00e9lites<\/p>\n\n\n\n<p>L\u2019art victorien<\/p>\n\n\n\n<p>L\u2019art acad\u00e9mique en France<\/p>\n\n\n\n<p>L\u2019art japonais<\/p>\n\n\n\n<p>L\u2019impressionnisme<\/p>\n\n\n\n<p>Le n\u00e9o- et le postimpressionnisme<\/p>\n\n\n\n<p><strong>Th\u00e8mes&nbsp;: Les enfants<\/strong><\/p>\n\n\n\n<p>Les Nabis<\/p>\n\n\n\n<p>Le symbolisme et l\u2019Art nouveau<\/p>\n\n\n\n<p>L\u2019art scandinave<\/p>\n\n\n\n<p>La fin du si\u00e8cle<\/p>\n\n\n\n<p>La sculpture<\/p>\n\n\n\n<p>L\u2019art africain<\/p>\n\n\n\n<p>L\u2019Oc\u00e9anie<\/p>\n\n\n\n<p><strong>Le d\u00e9but du XX<sup>e<\/sup>\nsi\u00e8cle<\/strong><\/p>\n\n\n\n<p>Le fauvisme<\/p>\n\n\n\n<p>L\u2019expressionnisme allemand<\/p>\n\n\n\n<p>La Vienne fin de si\u00e8cle<\/p>\n\n\n\n<p>Le cubisme<\/p>\n\n\n\n<p>Le futurisme, l\u2019orphisme et le rayonnisme<\/p>\n\n\n\n<p>La naissance de l\u2019art abstrait<\/p>\n\n\n\n<p><strong>Th\u00e8mes&nbsp;: Le travail<\/strong><\/p>\n\n\n\n<p>Les d\u00e9buts du modernisme anglais<\/p>\n\n\n\n<p>Les d\u00e9buts du modernisme am\u00e9ricain<\/p>\n\n\n\n<p>La peinture na\u00efve<\/p>\n\n\n\n<p>L\u2019\u00e9cole de Paris<\/p>\n\n\n\n<p>Le constructivisme<\/p>\n\n\n\n<p>Dada<\/p>\n\n\n\n<p>Le surr\u00e9alisme<\/p>\n\n\n\n<p>La Nouvelle Objectivit\u00e9 (<em>Neue Sachlichkeit<\/em>)<\/p>\n\n\n\n<p>Le Bauhaus<\/p>\n\n\n\n<p>L\u2019avant-garde en Angleterre et aux \u00c9tats-Unis<\/p>\n\n\n\n<p>Le r\u00e9alisme et la peinture figurative<\/p>\n\n\n\n<p>L\u2019art mexicain<\/p>\n\n\n\n<p><strong>De 1945 \u00e0 nos jours<\/strong><\/p>\n\n\n\n<p>L\u2019expressionnisme abstrait<\/p>\n\n\n\n<p><strong>Th\u00e8mes&nbsp;: La guerre<\/strong><\/p>\n\n\n\n<p>L\u2019apr\u00e8s-guerre en Europe<\/p>\n\n\n\n<p>La peinture et la sculpture abstraites<\/p>\n\n\n\n<p>L\u2019art minimal<\/p>\n\n\n\n<p>Le Pop Art<\/p>\n\n\n\n<p><strong>Th\u00e8mes&nbsp;: Le portrait<\/strong><\/p>\n\n\n\n<p>L\u2019Op Art et l\u2019art cin\u00e9tique<\/p>\n\n\n\n<p>L\u2019assemblage, le Junk Art et le Land Art<\/p>\n\n\n\n<p>L\u2019art conceptuel<\/p>\n\n\n\n<p>La peinture figurative<\/p>\n\n\n\n<p>L\u2019hyperr\u00e9alisme<\/p>\n\n\n\n<p>L\u2019art f\u00e9ministe<\/p>\n\n\n\n<p>Le n\u00e9o-expressionnisme et le graffiti<\/p>\n\n\n\n<p>Les nouveaux m\u00e9dias<\/p>\n\n\n\n<p>La sculpture contemporaine<\/p>\n\n\n\n<p>L\u2019art aborig\u00e8ne australien<\/p>\n\n\n\n<p>L\u2019Europe contemporaine<\/p>\n\n\n\n<p>L\u2019Afrique contemporaine<\/p>\n\n\n\n<p>L\u2019Asie contemporaine<\/p>\n\n\n\n<p>L\u2019Am\u00e9rique du Nord contemporaine<\/p>\n\n\n\n<p>Glossaire<\/p>\n\n\n\n<p>Index<\/p>\n\n\n\n<p>Remerciements<br><\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<p><a href=\"#_ftnref1\">[1]<\/a> N\u00e9 \u00e0 Londres en 1960, Andrew Michael\nGraham-Dixon est un historien de l&rsquo;art britannique qui \u00e0 enseign\u00e9 \u00e0 l\u2019Institut\nCourtauld, au Christ Church College, \u00e0 l\u2019Universit\u00e9 d&rsquo;Oxford et \u00e0 la\nWestminster School.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Par P\u00e9trone.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[54,11],"tags":[],"_links":{"self":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/18214"}],"collection":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18214"}],"version-history":[{"count":1,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/18214\/revisions"}],"predecessor-version":[{"id":18216,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/18214\/revisions\/18216"}],"wp:attachment":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18214"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18214"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}