{"id":18553,"date":"2020-03-11T22:19:36","date_gmt":"2020-03-11T20:19:36","guid":{"rendered":"http:\/\/www.satiricon.be\/?p=18553"},"modified":"2020-03-11T22:19:36","modified_gmt":"2020-03-11T20:19:36","slug":"le-bescherelle-du-7e-art","status":"publish","type":"post","link":"https:\/\/www.satiricon.be\/?p=18553","title":{"rendered":"Le Bescherelle du 7e art\u2026"},"content":{"rendered":"\n
\"\"<\/figure><\/div>\n\n\n\n

Des fr\u00e8res Lumi\u00e8res au cin\u00e9ma en 3D en passant par le p\u00e9plum,\nle western, le film de guerre, de gangsters ou d\u2019horreur, le cin\u00e9ma surr\u00e9aliste,\nle n\u00e9or\u00e9alisme italien, la Nouvelle Vague, le road movie <\/em>ou encore le thriller\npsychologique, entre autres, la Petite histoire du Cin\u00e9ma <\/em><\/strong>par Ian Haydn\nSmith (Paris, Flammarion) explore \u00e0 travers 50 films-cultes, dans\nde courtes synth\u00e8ses tr\u00e8s \u00e9clairantes et bellement illustr\u00e9es, les genres, les\nmouvements et les techniques qui font l’histoire du cin\u00e9ma. <\/p>\n\n\n\n

De la grande vulgarisation !<\/p>\n\n\n\n

P\u00c9TRONE <\/strong><\/p>\n\n\n\n

Petite histoire du Cin\u00e9ma \u2013 Films,\ngenres, techniques <\/em><\/strong>par Ian Haydn Smith, ouvrage traduit de l\u2019anglais\npar Camille Berne-Smith, Paris, \u00c9ditions Flammarion,\ncollection \u00ab Petite histoire de… \u00bb, mars 2020, 224 pp. en\nquadrichromie au format 15,5 x 21,7 cm sous couverture broch\u00e9e en\ncouleurs et \u00e0 rabats, 19,90 \u20ac (prix France)<\/p>\n\n\n\n

SOMMAIRE<\/strong><\/p>\n\n\n\n

Introduction<\/p>\n\n\n\n

Mode d’emploi<\/p>\n\n\n\n

LES GENRES<\/strong><\/p>\n\n\n\n

Western<\/p>\n\n\n\n

P\u00e9plum<\/p>\n\n\n\n

Race film<\/em><\/p>\n\n\n\n

Film de guerre<\/p>\n\n\n\n

Film d’action<\/p>\n\n\n\n

Film anti-guerre<\/p>\n\n\n\n

Film de gangsters<\/p>\n\n\n\n

Film d’horreur<\/p>\n\n\n\n

Com\u00e9die musicale<\/p>\n\n\n\n

Com\u00e9die romantique<\/p>\n\n\n\n

Com\u00e9die loufoque<\/p>\n\n\n\n

M\u00e9lodrame<\/p>\n\n\n\n

Film de propagande<\/p>\n\n\n\n

Documentaire<\/p>\n\n\n\n

Film noir<\/p>\n\n\n\n

Film pour ado<\/p>\n\n\n\n

Jidaigeki<\/em><\/p>\n\n\n\n

Western spaghetti<\/p>\n\n\n\n

Film historique<\/p>\n\n\n\n

Film d ‘art et d’essai<\/p>\n\n\n\n

Slasher<\/em><\/p>\n\n\n\n

Giallo<\/em><\/p>\n\n\n\n

Thriller de conspiration<\/p>\n\n\n\n

Enqu\u00eate polici\u00e8re<\/p>\n\n\n\n

Film f\u00e9ministe<\/p>\n\n\n\n

Blaxploitation<\/p>\n\n\n\n

Film catastrophe<\/p>\n\n\n\n

Road movie<\/em><\/p>\n\n\n\n

Film d’arts martiaux<\/p>\n\n\n\n

Blockbuster<\/p>\n\n\n\n

Science-fiction<\/p>\n\n\n\n

Thriller psychologique<\/p>\n\n\n\n

Documentaire parodique<\/p>\n\n\n\n

Film de ghetto<\/p>\n\n\n\n

Cin\u00e9ma lent<\/p>\n\n\n\n

Film de super-h\u00e9ros<\/p>\n\n\n\n

LES FILMS<\/strong><\/p>\n\n\n\n

Intol\u00e9rance<\/em>, D. W. Griffith<\/p>\n\n\n\n

Le Cuirass\u00e9 Potemkine<\/em>, Sergue\u00ef Eisenstein<\/p>\n\n\n\n

Le M\u00e9cano de la G\u00e9n\u00e9rale<\/em>, Clyde Bruckman & Buster\nKeaton<\/p>\n\n\n\n

L’Aurore<\/em>, F. W. Murnau<\/p>\n\n\n\n

Metropolis,<\/em> Fritz Lang<\/p>\n\n\n\n

Les Lumi\u00e8res de la ville<\/em>, Charles Chaplin<\/p>\n\n\n\n

L’Atalante<\/em>, Jean Vigo<\/p>\n\n\n\n

L’Impossible monsieur B\u00e9b\u00e9<\/em>, Howard Hawks<\/p>\n\n\n\n

La R\u00e8gle du jeu<\/em>, Jean Renoir<\/p>\n\n\n\n

Citizen Kane<\/em>, Orson Welles<\/p>\n\n\n\n

Rome ville ouverte<\/em>, Roberto Rossellini<\/p>\n\n\n\n

Chantons sous la pluie<\/em>, Stanley Donen & Gene\nKelly<\/p>\n\n\n\n

Voyage \u00e0 Tokyo<\/em>, Yasujir\u00f4 Ozu<\/p>\n\n\n\n

Les Sept Samoura\u00efs<\/em>, Akira Kurosawa<\/p>\n\n\n\n

La Complainte du sentier<\/em>, Satyajit Ray<\/p>\n\n\n\n

La Prisonni\u00e8re du d\u00e9sert<\/em>, John Ford<\/p>\n\n\n\n

Sueurs froides<\/em>, Alfred Hitchcock<\/p>\n\n\n\n

Certains l’aiment chaud<\/em>, Billy Wilder<\/p>\n\n\n\n

\u00c0 bout de souffle<\/em>, Jean-Luc Godard<\/p>\n\n\n\n

La Dolce Vita<\/em>, Federico Fellini<\/p>\n\n\n\n

L’Avventura<\/em>, Michelangelo Antonioni<\/p>\n\n\n\n

L\u2019Ange exterminateur<\/em>, Luis Bu\u00f1uel<\/p>\n\n\n\n

Cl\u00e9o de 5 \u00e0 7<\/em>, Agn\u00e8s Varda<\/p>\n\n\n\n

La Bataille d’Alger<\/em>, Gillo Pontecorvo<\/p>\n\n\n\n

Persona<\/em>, Ingmar Bergman<\/p>\n\n\n\n

Au hasard Balthazar<\/em>, Robert Bresson<\/p>\n\n\n\n

Il \u00e9tait une fois dans l’Ouest<\/em>, Sergio Leone<\/p>\n\n\n\n

2001, l’Odyss\u00e9e de l’espace<\/em>, Stanley Kubrick<\/p>\n\n\n\n

Le Conformiste<\/em>, Bernardo Bertolucci<\/p>\n\n\n\n

Aguirre, la col\u00e8re de Dieu<\/em>, Werner Herzog<\/p>\n\n\n\n

Tous les autres s’appellent Ali<\/em>, Rainer Werner Fassbinder<\/p>\n\n\n\n

Les Dents de la mer<\/em>, Steven Spielberg<\/p>\n\n\n\n

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles<\/em>,\nChantal Akerman<\/p>\n\n\n\n

Taxi Driver<\/em>, Martin Scorsese<\/p>\n\n\n\n

Apocalypse Now<\/em>, Francis Ford Coppola<\/p>\n\n\n\n

Stalker<\/em>, Andre\u00ef Tarkovsky<\/p>\n\n\n\n

Blade Runner<\/em>, Ridley Scott<\/p>\n\n\n\n

Blue Velvet<\/em>, David Lynch<\/p>\n\n\n\n

Do the Right Thing<\/em>, Spike Lee<\/p>\n\n\n\n

Close-Up<\/em>, Abbas Kiarostami<\/p>\n\n\n\n

La Le\u00e7on de piano<\/em>, Jane Campion<\/p>\n\n\n\n

Pulp Fiction<\/em>, Quentin Tarantino<\/p>\n\n\n\n

Tout sur ma m\u00e8re<\/em>, Pedro Almodovar<\/p>\n\n\n\n

Beau Travail<\/em>, Claire Denis<\/p>\n\n\n\n

In the Mood for Love<\/em>, Wong Kar-wal<\/p>\n\n\n\n

Lost in Translation<\/em>, Sofia Coppola<\/p>\n\n\n\n

Moolaad\u00e9<\/em>, Ousmane Semb\u00e8ne<\/p>\n\n\n\n

There Will Be Blood<\/em>, Paul Thomas Anderson<\/p>\n\n\n\n

Moonlight<\/em>, Barry Jenkins<\/p>\n\n\n\n

Roma<\/em>, Alfonso Cuaron<\/p>\n\n\n\n

LES MOUVEMENTS<\/strong><\/p>\n\n\n\n

Expressionnisme allemand<\/p>\n\n\n\n

Montage sovi\u00e9tique<\/p>\n\n\n\n

Cin\u00e9ma surr\u00e9aliste<\/p>\n\n\n\n

R\u00e9alisme po\u00e9tique<\/p>\n\n\n\n

N\u00e9or\u00e9alisme italien<\/p>\n\n\n\n

Cin\u00e9ma parall\u00e8le<\/p>\n\n\n\n

\u00c9cole polonaise<\/p>\n\n\n\n

Nouvelle Vague<\/p>\n\n\n\n

Nouvelle vague britannique<\/p>\n\n\n\n

Nouvelle vague japonaise<\/p>\n\n\n\n

Cinema Novo<\/p>\n\n\n\n

Nouvelle vague tch\u00e8que<\/p>\n\n\n\n

Nouveau cin\u00e9ma allemand<\/p>\n\n\n\n

Nouvel Hollywood<\/p>\n\n\n\n

Nouvelle vague iranienne<\/p>\n\n\n\n

Nouvelle vague australienne<\/p>\n\n\n\n

Nouvelle vague hongkongaise<\/p>\n\n\n\n

Cin\u00e9ma du look<\/p>\n\n\n\n

Nouvelle vague ta\u00efwanaise<\/p>\n\n\n\n

Cinqui\u00e8me g\u00e9n\u00e9ration chinoise<\/p>\n\n\n\n

Nouveau cin\u00e9ma queer<\/p>\n\n\n\n

Dogme 95<\/p>\n\n\n\n

Nouveau cin\u00e9ma mexicain<\/p>\n\n\n\n

New French Extremity<\/p>\n\n\n\n

Mumblecore<\/p>\n\n\n\n

Nouvelle vague roumaine<\/p>\n\n\n\n

LES TECHNIQUES<\/strong><\/p>\n\n\n\n

Pellicule<\/p>\n\n\n\n

Couleur<\/p>\n\n\n\n

Plan master<\/p>\n\n\n\n

Montage invisible<\/p>\n\n\n\n

Traveling<\/p>\n\n\n\n

Plan panoramique<\/p>\n\n\n\n

Zoom<\/p>\n\n\n\n

Montage expressif<\/p>\n\n\n\n

Montage-s\u00e9quence<\/p>\n\n\n\n

Gros plan<\/p>\n\n\n\n

Profondeur de champ<\/p>\n\n\n\n

Plan sur plan<\/p>\n\n\n\n

Transition<\/p>\n\n\n\n

\u00c9clairage<\/p>\n\n\n\n

Direction artistique<\/p>\n\n\n\n

Costume<\/p>\n\n\n\n

Maquillage<\/p>\n\n\n\n

Star system<\/p>\n\n\n\n

Son<\/p>\n\n\n\n

Musique<\/p>\n\n\n\n

La m\u00e9thode Stanislavski<\/p>\n\n\n\n

Cin\u00e9ma direct<\/p>\n\n\n\n

Ralenti<\/p>\n\n\n\n

Steadicam<\/p>\n\n\n\n

Effets sp\u00e9ciaux<\/p>\n\n\n\n

Effets visuels<\/p>\n\n\n\n

Num\u00e9rique<\/p>\n\n\n\n

3D<\/p>\n\n\n\n

<\/p>\n\n\n\n

Index<\/p>\n\n\n\n

Principales r\u00e9compenses<\/p>\n","protected":false},"excerpt":{"rendered":"

Par P\u00e9trone.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[54,11,56],"tags":[],"_links":{"self":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/18553"}],"collection":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18553"}],"version-history":[{"count":1,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/18553\/revisions"}],"predecessor-version":[{"id":18555,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/18553\/revisions\/18555"}],"wp:attachment":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}