{"id":18614,"date":"2020-03-28T19:29:02","date_gmt":"2020-03-28T17:29:02","guid":{"rendered":"http:\/\/www.satiricon.be\/?p=18614"},"modified":"2020-03-28T19:29:02","modified_gmt":"2020-03-28T17:29:02","slug":"regards-sur-lart-italien-du-xve-siecle","status":"publish","type":"post","link":"https:\/\/www.satiricon.be\/?p=18614","title":{"rendered":"Regards sur l\u2019art italien du XVe\u00a0si\u00e8cle"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" width=\"230\" height=\"350\" src=\"https:\/\/www.satiricon.be\/wp-content\/uploads\/2020\/03\/L\u0153il-du-Quattrocento-\u2013-Lusage-de-la-peinture-dans-lItalie-de-la-Renaissance.jpg\" alt=\"\" class=\"wp-image-18615\" srcset=\"https:\/\/www.satiricon.be\/wp-content\/uploads\/2020\/03\/L\u0153il-du-Quattrocento-\u2013-Lusage-de-la-peinture-dans-lItalie-de-la-Renaissance.jpg 230w, https:\/\/www.satiricon.be\/wp-content\/uploads\/2020\/03\/L\u0153il-du-Quattrocento-\u2013-Lusage-de-la-peinture-dans-lItalie-de-la-Renaissance-197x300.jpg 197w\" sizes=\"(max-width: 230px) 100vw, 230px\" \/><\/figure><\/div>\n\n\n\n<p>Michael Baxandall (1933-2008), professeur et historien de\nl&rsquo;art am\u00e9ricain d&rsquo;origine britannique, a enseign\u00e9 \u00e0 l&rsquo;Universit\u00e9 de Californie\n\u00e0 Berkeley, \u00e0 l&rsquo;Institut Warburg et \u00e0 l&rsquo;Universit\u00e9 de Londres. Il a \u00e9t\u00e9\nconservateur du Victoria and Albert Museum et a re\u00e7u le prix Aby Warburg en\n1988. <\/p>\n\n\n\n<p>Il est connu notamment pour le d\u00e9veloppement du concept de <em>period\neye<\/em>,une m\u00e9thode analytique servant \u00e0 d\u00e9crire les conditions\nculturelles dans lesquelles l&rsquo;art \u00e9tait cr\u00e9\u00e9, per\u00e7u et compris durant la\nRenaissance.<\/p>\n\n\n\n<p>Les \u00c9ditions Gallimard \u00e0 Paris publient dans la collection\n\u00ab&nbsp;Tel&nbsp;\u00bb la traduction fran\u00e7aise de son essai intitul\u00e9 <strong><em>L&rsquo;\u0153il\ndu Quattrocento \u2013 L&rsquo;usage de la peinture dans l&rsquo;Italie de la Renaissance <\/em><\/strong>dans lequel il\nd\u00e9montre que l\u2019histoire sociale et histoire de l&rsquo;art ne font qu&rsquo;un en prenant\nexemple sur la peinture italienne de la Renaissance, en montrant \u00e0 quelle\ndemande exacte r\u00e9pondaient Masaccio, Filippo Lippi, Andrea del Castagno ou Fra\nAngelico, en expliquant de quel sens leurs \u0153uvres \u00e9taient charg\u00e9es et comment\nles regardaient leurs destinataires et leurs commanditaires en recourant \u00e0\nl\u2019analyse du march\u00e9 de l&rsquo;art, des contrats, des correspondances et des\nregistres de comptes.<\/p>\n\n\n\n<p>En prouvant aussi comment les dispositions visuelles n\u00e9es de\nla vie quotidienne, religieuse, sociale ou commerciale de l&rsquo;\u00e9poque sont\ndevenues des \u00e9l\u00e9ments d\u00e9terminants du style des peintres. <\/p>\n\n\n\n<p>Magnifico&nbsp;!<\/p>\n\n\n\n<p><strong>P\u00c9TRONE<\/strong><\/p>\n\n\n\n<p><strong><em>L&rsquo;\u0153il du Quattrocento \u2013 L&rsquo;usage de la\npeinture dans l&rsquo;Italie de la Renaissance <\/em><\/strong>par Michael\nBaxandall, traduction de l\u2019anglais par Yvette Delsaut, Paris, \u00c9ditions Gallimard, collection\n\u00ab&nbsp;Tel&nbsp;\u00bb, janvier&nbsp;2020, 228&nbsp;pp. en noir et blanc + 1 cahier\nde 64&nbsp;pp. en quadrichromie au format 12,5&nbsp;x&nbsp;19&nbsp;cm sous\ncouverture broch\u00e9e en couleurs, 14,50&nbsp;\u20ac (prix France)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Par P\u00e9trone.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[54,49,11],"tags":[],"_links":{"self":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/18614"}],"collection":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18614"}],"version-history":[{"count":1,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/18614\/revisions"}],"predecessor-version":[{"id":18616,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/18614\/revisions\/18616"}],"wp:attachment":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}