{"id":19726,"date":"2020-09-26T18:00:21","date_gmt":"2020-09-26T16:00:21","guid":{"rendered":"http:\/\/www.satiricon.be\/?p=19726"},"modified":"2020-09-26T18:12:20","modified_gmt":"2020-09-26T16:12:20","slug":"allusions-artistiques","status":"publish","type":"post","link":"https:\/\/www.satiricon.be\/?p=19726","title":{"rendered":"L’art de l’allusion\u2026"},"content":{"rendered":"\n
\"\"<\/figure><\/div>\n\n\n\n

Historien\nde l\u2019art britannique, Matthew Wilson est dipl\u00f4m\u00e9 de l\u2019universit\u00e9 de Nottingham dans\nles Midlands et du Courtauld Institute \u00e0 Londres.<\/p>\n\n\n\n

Dans\nleur collection de r\u00e9f\u00e9rence \u00ab L\u2019art en poche \u00bb, les \u00c9ditions\nFlammarion \u00e0 Paris ont publi\u00e9 sous le titre D\u00e9crypter\nles symboles dans l’art <\/em><\/strong>la traduction fran\u00e7aise\nde son c\u00e9l\u00e8bre Symbol in Art<\/em> r\u00e9cemment reparu au royaume de Sa Majest\u00e9.<\/p>\n\n\n\n

Il y\nexplique avec clart\u00e9 et concision les significations culturelles, ouvertes ou\ncach\u00e9es, de 51 \u00e9l\u00e9ments iconographiques (animaux,\nobjets, plantes, formes ou de gestes) r\u00e9currents dans l\u2019art \u00e0 travers le monde\net les \u00e9poques, de 2300 avant notre \u00e8re jusqu’\u00e0 nos jours.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Auteur inconnu, V\u00e9nus \u00e0 la coquille<\/em><\/p>\n\n\n\n

Fresque ant\u00e9rieure \u00e0 79 avant J.-C.<\/p>\n\n\n\n

Pomp\u00e9i, Maison de la V\u00e9nus \u00e0 la coquille, salle 8<\/p>\n\n\n\n

Le coquillage est associ\u00e9 \u00e0 la fertilit\u00e9 en raison de son\nrapport \u00e0 l\u2019eau. Par ses aplats et sa conception centralis\u00e9e, cette fresque\npr\u00e9figure une \u0153uvre c\u00e9l\u00e8bre et post\u00e9rieure de la Renaissance : La\nNaissance de V\u00e9nus<\/em> de Botticelli. Elle inspirera aux artistes occidentaux l\u2019arch\u00e9type\ndu nu allong\u00e9.<\/strong><\/p>\n\n\n\n

En fin d\u2019ouvrage,\nune section de r\u00e9f\u00e9rence comprend des suggestions de lectures compl\u00e9mentaires,\nun glossaire des termes artistiques et historiques ainsi qu’un index.<\/p>\n\n\n\n

P\u00c9TRONE <\/strong><\/p>\n\n\n\n

D\u00e9crypter\nles symboles dans l’art <\/em><\/strong>par Matthew Wilson, ouvrage\ntraduit de l\u2019anglais par Camille Fort, Paris, \u00c9ditions Flammarion, collection\n\u00ab L\u2019art en poche \u00bb, septembre 2020, 176 pp. en quadrichromie\nau format 14 x 21,7 cm sous couverture broch\u00e9e en couleurs et \u00e0\nrabats, 12 \u20ac (prix France)<\/p>\n\n\n\n

TABLE\nDES MATI\u00c8RES<\/strong><\/p>\n\n\n\n

Introduction<\/strong><\/p>\n\n\n\n

LE\nCIEL ET LA TERRE<\/strong><\/p>\n\n\n\n

L\u2019eau<\/p>\n\n\n\n

La\nmontagne<\/p>\n\n\n\n

Les\nnuages<\/p>\n\n\n\n

L\u2019arc-en-ciel<\/p>\n\n\n\n

La\nfoudre<\/p>\n\n\n\n

La lune<\/p>\n\n\n\n

Le\nsoleil<\/p>\n\n\n\n

Le\nfeu<\/p>\n\n\n\n

LES PLANTES<\/strong><\/p>\n\n\n\n

L\u2019\u0153illet<\/p>\n\n\n\n

Le\ncypr\u00e8s<\/p>\n\n\n\n

Le\nlaurier<\/p>\n\n\n\n

Le\nlis<\/p>\n\n\n\n

Le\nlotus<\/p>\n\n\n\n

La palme<\/p>\n\n\n\n

La\nvigne<\/p>\n\n\n\n

Le\npavot<\/p>\n\n\n\n

Le\ntournesol<\/p>\n\n\n\n

LES\nOISEAUX<\/strong><\/p>\n\n\n\n

La\ncolombe<\/p>\n\n\n\n

L\u2019aigle<\/p>\n\n\n\n

La\nchouette<\/p>\n\n\n\n

Le\npaon<\/p>\n\n\n\n

Le\nph\u00e9nix<\/p>\n\n\n\n

Le\nfaucon<\/p>\n\n\n\n

La\ngrue<\/p>\n\n\n\n

LES\nB\u00caTES<\/strong><\/p>\n\n\n\n

Le\nchat<\/p>\n\n\n\n

Le\ncerf<\/p>\n\n\n\n

Le\nchien<\/p>\n\n\n\n

Les\npoissons<\/p>\n\n\n\n

Le\nlion<\/p>\n\n\n\n

Le\nsinge<\/p>\n\n\n\n

Le\nserpent<\/p>\n\n\n\n

Le\ncheval<\/p>\n\n\n\n

Le\ndragon<\/p>\n\n\n\n

LES\nCORPS<\/strong><\/p>\n\n\n\n

Le\nsquelette<\/p>\n\n\n\n

Le\ncr\u00e2ne<\/p>\n\n\n\n

Le pied<\/p>\n\n\n\n

La\nposture<\/p>\n\n\n\n

Les\ngestes des mains<\/p>\n\n\n\n

Le\nsang<\/p>\n\n\n\n

L\u2019\u0153il<\/p>\n\n\n\n

L\u2019ange<\/p>\n\n\n\n

Le\nhalo<\/p>\n\n\n\n

LES\nATTRIBUTS<\/strong><\/p>\n\n\n\n

Le\ncoquillage<\/p>\n\n\n\n

L\u2019arc\net la fl\u00e8che<\/p>\n\n\n\n

La\ncouronne<\/p>\n\n\n\n

Le\nmasque<\/p>\n\n\n\n

La\nbalance<\/p>\n\n\n\n

L\u2019\u00e9p\u00e9e<\/p>\n\n\n\n

La\ntrompette<\/p>\n\n\n\n

L\u2019horlogerie<\/p>\n\n\n\n

Le\nmiroir<\/p>\n\n\n\n

Glossaire<\/strong><\/p>\n\n\n\n

Lectures\ncompl\u00e9mentaires<\/strong><\/p>\n\n\n\n

Index<\/strong><\/p>\n\n\n\n

\n\n\n\n

 [BD1]<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Par P\u00e9trone.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[54,11,56],"tags":[],"_links":{"self":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/19726"}],"collection":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19726"}],"version-history":[{"count":3,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/19726\/revisions"}],"predecessor-version":[{"id":19731,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/19726\/revisions\/19731"}],"wp:attachment":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}