{"id":21335,"date":"2021-10-12T17:12:20","date_gmt":"2021-10-12T15:12:20","guid":{"rendered":"https:\/\/www.satiricon.be\/?p=21335"},"modified":"2021-10-12T17:12:20","modified_gmt":"2021-10-12T15:12:20","slug":"baudelaire-critique-dart","status":"publish","type":"post","link":"https:\/\/www.satiricon.be\/?p=21335","title":{"rendered":"Baudelaire critique d\u2019art\u2026"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.satiricon.be\/wp-content\/uploads\/2021\/10\/Baudelaire-\u2013-Lart-contre-lennui.jpg\"><img loading=\"lazy\" width=\"241\" height=\"350\" src=\"https:\/\/www.satiricon.be\/wp-content\/uploads\/2021\/10\/Baudelaire-\u2013-Lart-contre-lennui.jpg\" alt=\"\" class=\"wp-image-21336\" srcset=\"https:\/\/www.satiricon.be\/wp-content\/uploads\/2021\/10\/Baudelaire-\u2013-Lart-contre-lennui.jpg 241w, https:\/\/www.satiricon.be\/wp-content\/uploads\/2021\/10\/Baudelaire-\u2013-Lart-contre-lennui-207x300.jpg 207w\" sizes=\"(max-width: 241px) 100vw, 241px\" \/><\/a><\/figure><\/div>\n\n\n\n<p>St\u00e9phane Gu\u00e9gan est historien, critique d\u2019art, ainsi que conseiller scientifique aupr\u00e8s de la Pr\u00e9sidence du mus\u00e9e d\u2019Orsay et du mus\u00e9e de l\u2019Orangerie \u00e0 Paris.<\/p>\n\n\n\n<p>\u00c0 l\u2019occasion de l\u2019exposition <em>Baudelaire, la modernit\u00e9 m\u00e9lancolique<\/em> qui se tiendra du 3&nbsp;novembre 2021 au 13 f\u00e9vrier 2022 \u00e0 la BnF &#8211; Fran\u00e7ois-Mitterrand, il publie chez Flammarion un essai tr\u00e8s document\u00e9 intitul\u00e9 <strong><em>Baudelaire \u2013 L&rsquo;art contre l&rsquo;ennui <\/em><\/strong>dans lequel il se penche sur les consid\u00e9rations \u00e9mises \u00e0 partir de 1845 sur la peinture, la statuaire et la photographie de son temps par le po\u00e8te Charles Baudelaire (1821-1867) dont l\u2019\u0153uvre ma\u00eetresse, <em>Les Fleurs du mal,<\/em> provoqua la d\u00e9flagration que l\u2019on sait dans le monde des lettres.<\/p>\n\n\n\n<p>Fustigeant les travers de son \u00e9poque, Baudelaire pr\u00e9conisait dans des articles parfois virulents la modernit\u00e9, qui n\u2019avait \u00e0 ses yeux rien \u00e0 voir avec la tyrannie du neuf.<\/p>\n\n\n\n<p>\u00c9coutons l\u2019auteur&nbsp;:<\/p>\n\n\n\n<p>\u00ab&nbsp;En art [chez Baudelaire], c\u2019est l\u2019imp\u00e9ratif de la modernit\u00e9, qui exige qu\u2019on peigne la vie moderne dans son mouvement et sa v\u00e9rit\u00e9 profonde. Personne n\u2019a mieux saisi Delacroix, Ingres et Daumier, \u00e9lectris\u00e9 Courbet et Manet, dissoci\u00e9 bonne et mauvaise photographies, promu l\u2019\u00e9gale l\u00e9gitimit\u00e9 des cultures ou le divorce entre morale de l\u2019art et morale commune.&nbsp;\u00bb<\/p>\n\n\n\n<p>Une modernit\u00e9 tr\u00e8s actuelle\u2026<\/p>\n\n\n\n<p><strong> P\u00c9TRONE <\/strong><\/p>\n\n\n\n<p><strong><em>Baudelaire \u2013 L&rsquo;art contre l&rsquo;ennui <\/em><\/strong>par St\u00e9phane Gu\u00e9gan, Paris, \u00c9ditions Flammarion, collection \u00ab&nbsp;Histoire de l&rsquo;art&nbsp;\u00bb, septembre&nbsp;2021, 160&nbsp;pp. en quadrichromie au format 17,8&nbsp;x&nbsp;24,8&nbsp;cm sous couverture cartonn\u00e9e monochrome, 35&nbsp;\u20ac (prix France)<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>INFORMATIONS COMPL\u00c9MENTAIRES<\/strong><\/p>\n\n\n\n<p><strong>Exposition Baudelaire, la modernit\u00e9 m\u00e9lancolique<\/strong><\/p>\n\n\n\n<p>Du 3 novembre 2021 au 13 f\u00e9vrier 2022<\/p>\n\n\n\n<p>Galerie 1<\/p>\n\n\n\n<p>BnF I Fran\u00e7ois-Mitterrand, Quai Fran\u00e7ois Mauriac, Paris XIII<sup>e<\/sup><\/p>\n\n\n\n<p>Du mardi au samedi de 10 heures \u00e0 19 heures<\/p>\n\n\n\n<p>Dimanche de 13 heures \u00e0 19 heures<\/p>\n\n\n\n<p>Fermeture les lundis et jours f\u00e9ri\u00e9s<\/p>\n\n\n\n<p>Entr\u00e9e 9 euros, tarif r\u00e9duit 7 euros<\/p>\n\n\n\n<p>R\u00e9servation sur bnf.tickeasy.com et via le r\u00e9seau FNAC<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Par P\u00e9trone.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[12,49,11],"tags":[],"_links":{"self":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/21335"}],"collection":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=21335"}],"version-history":[{"count":1,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/21335\/revisions"}],"predecessor-version":[{"id":21337,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/21335\/revisions\/21337"}],"wp:attachment":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=21335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=21335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=21335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}