{"id":23957,"date":"2024-05-05T15:28:32","date_gmt":"2024-05-05T13:28:32","guid":{"rendered":"https:\/\/www.satiricon.be\/?p=23957"},"modified":"2024-05-05T15:28:32","modified_gmt":"2024-05-05T13:28:32","slug":"sociologie-musicale","status":"publish","type":"post","link":"https:\/\/www.satiricon.be\/?p=23957","title":{"rendered":"Sociologie musicale\u2026"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><a href=\"https:\/\/www.satiricon.be\/wp-content\/uploads\/2024\/05\/Penser-le-rap-cover.jpg\"><img loading=\"lazy\" width=\"187\" height=\"350\" src=\"https:\/\/www.satiricon.be\/wp-content\/uploads\/2024\/05\/Penser-le-rap-cover.jpg\" alt=\"\" class=\"wp-image-23958\" srcset=\"https:\/\/www.satiricon.be\/wp-content\/uploads\/2024\/05\/Penser-le-rap-cover.jpg 187w, https:\/\/www.satiricon.be\/wp-content\/uploads\/2024\/05\/Penser-le-rap-cover-160x300.jpg 160w\" sizes=\"(max-width: 187px) 100vw, 187px\" \/><\/a><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>K\u00e9vin Boucaud-Victoire est journaliste, r\u00e9dacteur en chef de la rubrique \u00ab\u00a0D\u00e9bats et Id\u00e9es\u00a0\u00bb dans les colonnes du magazine <em>Marianne <\/em>et cofondateur du site <em>Le Comptoir<\/em>.<\/p>\n\n\n\n<p>Il publie aux \u00c9ditions de l\u2019Aube un essai intitul\u00e9 <strong><em>Penser le rap&nbsp;\u2013&nbsp;De paria \u00e0 dominant&nbsp;: analyse d\u2019un ph\u00e9nom\u00e8ne culturel<\/em><\/strong>, un passionnant retour historique sur la d\u00e9cennie qui a vu la version fran\u00e7aise de ce genre musical n\u00e9 au sein du hip-hop et, \u00e0 ses d\u00e9buts, \u00e9cout\u00e9 exclusivement par la jeunesse, acc\u00e9der aux sommets des ventes commerciales apr\u00e8s avoir s\u00e9duit aussi les moins jeunes de milieux sociaux vari\u00e9s et de situations g\u00e9ographiques diverses.<\/p>\n\n\n\n<p>L\u2019auteur pr\u00e9sente les th\u00e8mes, les principaux acteurs, les \u00e9volutions et l\u2019\u00e9mancipation de cet art urbain devenu populaire \u00e0 l\u2019instar du rock, de la pop et de la chanson \u00e0 texte dans un r\u00e9cit tr\u00e8s inform\u00e9 et enrichi d\u2019encadr\u00e9s traitant de&nbsp;:<\/p>\n\n\n\n<p>\u2013 Booba, la fus\u00e9e du <em>rap game<\/em><\/p>\n\n\n\n<p>\u2013 La rivalit\u00e9 NTM-IAM et ses \u00e9pigones<\/p>\n\n\n\n<p>\u2013 Mainstream ou underground&nbsp;?<\/p>\n\n\n\n<p>\u2013 La p\u00e9rennit\u00e9 du rap marseillais<\/p>\n\n\n\n<p>\u2013 Diam\u2019s, reine de la pop<\/p>\n\n\n\n<p>\u2013 Le rap alternatif<\/p>\n\n\n\n<p>\u2013 L\u2019ovni PNL<\/p>\n\n\n\n<p>\u2013 Neasbal, Salif, Mac Tyer et Despo Rutti, les rois sans couronnes<\/p>\n\n\n\n<p>Le tout esquissant au passage un portrait sociologique original de l\u2019Hexagone contemporain avec ses \u00ab&nbsp;immigr\u00e9s et autochtones, prolos ou bourgeois, habitant la \u201cFrance des m\u00e9tropoles\u201d, la \u201cFrance p\u00e9riph\u00e9rique\u201d ou [celle] des \u201cquartiers dits sensibles en France et [en] Navarre\u201d&nbsp;\u00bb.<\/p>\n\n\n\n<p><strong>P\u00c9TRONE <\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong><em>Penser le rap&nbsp;\u2013&nbsp;De paria \u00e0 dominant&nbsp;: analyse d\u2019un ph\u00e9nom\u00e8ne culturel <\/em><\/strong>par K\u00e9vin Boucaud-Victoire, La Tour-d\u2019Aigues, \u00c9ditions de l\u2019Aube, collection \u00ab&nbsp;Les Temps intimes&nbsp;\u00bb dirig\u00e9e par J\u00e9r\u00e9mie Peltier et Manon Viard, avril&nbsp;2024, 150&nbsp;pp. en noir et blanc au format 11,5&nbsp;x&nbsp;21,5&nbsp;cm sous couverture broch\u00e9e en couleurs, 16&nbsp;\u20ac (prix France)<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>TABLE DES MATI\u00c8RES<\/strong><\/p>\n\n\n\n<p><strong>Introduction<\/strong><\/p>\n\n\n\n<p>Rap partout, hip-hop nulle part&nbsp;?<\/p>\n\n\n\n<p><strong>1. Des marges aux banlieues<\/strong><\/p>\n\n\n\n<p>Au commencement \u00e9taient les <em>block parties<\/em><\/p>\n\n\n\n<p>La musique des ghettos<\/p>\n\n\n\n<p>Rap et capitalisme&nbsp;: les liaisons dangereuses<\/p>\n\n\n\n<p><strong>2. La nouvelle culture majoritaire<\/strong><\/p>\n\n\n\n<p>Crise et renouvellement du rap<\/p>\n\n\n\n<p>La moyennisation du rap<\/p>\n\n\n\n<p>Que raconte le rap de la France&nbsp;?<\/p>\n\n\n\n<p><strong>Conclusion<\/strong><\/p>\n\n\n\n<p>Nouvelle variet\u2019, nouvelle pop\u2026 ou nouveau rock&nbsp;?<\/p>\n\n\n\n<p>Notes<\/p>\n\n\n\n<p><strong>Discographie<\/strong><\/p>\n\n\n\n<p>Une ann\u00e9e, un album<\/p>\n\n\n\n<p>Bibliographie<\/p>\n\n\n\n<p>Remerciements<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Par P\u00e9trone.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[49,11],"tags":[],"_links":{"self":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/23957"}],"collection":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23957"}],"version-history":[{"count":1,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/23957\/revisions"}],"predecessor-version":[{"id":23959,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/23957\/revisions\/23959"}],"wp:attachment":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}