{"id":24975,"date":"2025-11-06T20:06:48","date_gmt":"2025-11-06T18:06:48","guid":{"rendered":"https:\/\/www.satiricon.be\/?p=24975"},"modified":"2025-11-11T18:06:51","modified_gmt":"2025-11-11T16:06:51","slug":"les-couleurs-comme-les-traits-suivent-les-changements-des-emotions-pablo-picasso","status":"publish","type":"post","link":"https:\/\/www.satiricon.be\/?p=24975","title":{"rendered":"\u00ab\u00a0Les couleurs, comme les traits, suivent les changements des \u00e9motions.\u00a0\u00bb (Pablo Picasso)"},"content":{"rendered":"\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

J.\u00a0P. Knight, pseudonyme du Suisse Jean-Pierre Knecht (\u00b01952), est m\u00e9decin, guitariste et collectionneur de disques vinyles. Il en poss\u00e8de 90\u00a0000, et parmi eux, 2\u00a0200 dont la pochette montre un t\u00e9l\u00e9phone.<\/p>\n\n\n\n

Dans un beau-livre au format d\u2019un 33 tours publi\u00e9 chez Slatkine \u00e0 Gen\u00e8ve, Allo Vinyles<\/em><\/strong>, il en pr\u00e9sente 320 en provenance du monde entier (\u00c9tats-Unis, Grande-Bretagne, France, Italie, Allemagne, Suisse, Russie, Am\u00e9rique latine, Japon\u2026) et parues sur plusieurs d\u00e9cennies (des ann\u00e9es 1950 \u00e0 2010).<\/p>\n\n\n\n

Les t\u00e9l\u00e9phones (avec ou sans fil, \u00e0 cadrans ou \u00e0 touches, dans un bureau, une chambre ou une cabine publique, noirs, blancs, roses et verts, pour adultes ou pour enfants\u2026) qui y tiennent la vedette (avec les jeunes femmes, tr\u00e8s pr\u00e9sentes, elles aussi) autour de th\u00e8mes divers (l\u2019amour, la solitude, la tristesse, les musiques de films, les disques d\u2019apprentissage, l\u2019humour, la danse, la provocation, l\u2019\u00e9rotisme\u2026) t\u00e9moignent des tendances graphiques et esth\u00e9tiques ainsi que de la pop-culture des \u00e9poques et des endroits o\u00f9 ils ont \u00e9t\u00e9 produits.<\/p>\n\n\n\n

Parmi de nombreuses curiosit\u00e9s dans des langues vari\u00e9es, on trouve dans ce bel et imposant ouvrage des pochettes d\u2019Artie Shaw <\/strong>(Did someone say \u201ca party?\u201d<\/em>, 1956), de Duke Ellington<\/strong> (Solitude<\/em>, 1958), Judy Holliday<\/strong> & Dean Martin<\/strong> (Bells are ringing<\/em>, 1960), Connie Francis<\/strong> (Christmas in my heart<\/em>, 1960), Dalida<\/strong> (Ich war ein Narr<\/em>, 1962), Georges Jouvin<\/strong> (Maillot 38-37<\/em>, 1964), Francis Blanche<\/strong> (Recettes de canulars t\u00e9l\u00e9phoniques<\/em>, 1965), Pierre Vassiliu<\/strong> (Ivanho\u00e9<\/em>, 1966), Dionne Warwick<\/strong> (The april fools<\/em>, 1969), Jerry Lee Lewis<\/strong> (There must be more to love than this<\/em>, 1970), Les Fr\u00e8res ennemis<\/strong> (Les appels t\u00e9l\u00e9phoniques<\/em>, 1971), Billie Holiday<\/strong> (At jazz at the Philharmonic<\/em>, 1974), Cher<\/strong> (The very best of Cher<\/em>, 1975), Astor Piazzolla<\/strong> (Armaguedon<\/em>, 1977), The Police<\/strong> (Roxanne<\/em>, 1978), T\u00e9l\u00e9phone <\/strong>(La bombe humaine<\/em>, 1979), G\u00e9rard Berliner<\/strong> (Madam<\/em>, 1982), Iron Curtain<\/strong> (Like a family<\/em>, 1985), Diana Ross<\/strong> (Telephone<\/em>, 1985), Elvis Presley<\/strong> (Lover doll<\/em>, 1985), Timeless<\/strong> (Waves of music<\/em>, 1985) L\u2019Affaire Louis\u2019 Trio<\/strong> (Tout, mais pas \u00e7a<\/em>, 1987), Nino Ferrer<\/strong> (Le t\u00e9l\u00e9fon<\/em>, 1991), Peter Gabriel<\/strong> (Secret world live,<\/em> 1994), Lady Gaga <\/strong>& Beyonc\u00e9<\/strong> (Telephone<\/em>, 2010).<\/p>\n\n\n\n

Sans oublier le Belge St\u00e9phane Steeman <\/strong>(All\u00f4 quoi tu veux ?<\/em>, 1970)\u2026<\/p>\n\n\n\n

P\u00c9TRONE<\/strong><\/p>\n\n\n\n

Allo Vinyles <\/em><\/strong>par J. P. Knight, pr\u00e9face de Pascal Gavillet, Gen\u00e8ve, \u00c9ditions Slatkine, novembre 2025, 212 pp. en quadrichromie au format 30,5 x 30,5 cm sous couverture cartonn\u00e9e en couleurs, 50 \u20ac (prix France)<\/p>\n","protected":false},"excerpt":{"rendered":"

Par P\u00e9trone.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[54,11],"tags":[],"_links":{"self":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/24975"}],"collection":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24975"}],"version-history":[{"count":2,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/24975\/revisions"}],"predecessor-version":[{"id":24982,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=\/wp\/v2\/posts\/24975\/revisions\/24982"}],"wp:attachment":[{"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24975"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.satiricon.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}